Raw and explosive throwback post-hardcore that shares more in common with the early emo-core bands of the 90s and their use of post-hardcore than what one thinks of today. Coming like a thief in the night brent faiyaz plus#Same as the last which is really exciting and fun swancore but Bilmuri has always had a real ability to fuse genres that really don?t seem like they should go together plus he is one of the few musicians to seamlessly pull off the electronic pop and post-hardcore sound with seamless ease.Ī solid dark jazz album that also can be extremely boring and to slow-paced at points making it a pretty awkward listen for the most part. Most consistent album to date from the band but at the cost of the extremely one-dimensional and boring soft rock slow ballads are complete skips when they come on and it doesn?t help that they are all at the very end making me basically end the album after ?I?m In Love With You?. The 1975 Being Funny In A Foreign Language Nowhere near as good as their last effort but I admire the band for trying something new here with some more electropop ideas and esthetics but it does not always stick all that well. This is more of old heads wanting a ?classic? deathcore album but forgetting that there is a lot better out there today. Overly produced, one-dimensional, and extremely cocky symphonic deathcore that can?t touch a toe to the greats and doesn?t have enough of the bombastic and over-the-top nature of modern deathcore. Sort by: Rating | Release Date | Rating Date | NameĬome on people, deathcore died for a reason and it?s bullshit like this that did it.
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